The
Rhythm Dawgs
Channel Assignment Chart
Channel |
Source |
Mic |
Stand |
Ch. Insert |
|
1 |
Kick |
EV868 |
Short Boom |
Gate |
|
2 |
HH |
SM91 |
Boom |
||
3 |
Snare |
SM57 |
Boom |
Gate / Reverb |
|
4 |
Rack 1 |
SM57 |
Clip supplied by band |
Gate |
|
5 |
Rack 2 |
SM57 |
Clip supplied by band |
Gate |
|
6 |
Floor |
SM57 |
Clip supplied by band |
Gate |
|
7 |
Overhead L | SM91 | Boom | ||
8 |
Overhead R | SM91 | Boom | ||
9 |
GTR1 (L) - Ken |
SM57 |
Boom |
||
10 |
GTR1 (R) - Ken |
SM57 |
Boom |
||
11 |
GTR2 - Dana |
SM57 |
Boom |
||
12 |
Bass - Frank |
DI |
N/A |
Comp |
|
13 |
|||||
14 |
Acoustic - Ken |
DI |
N/A |
||
15 |
Vox - Ken |
SM58 |
Boom |
||
16 |
Vox - Dana |
SM58 |
Supplied by band |
||
17 |
Vox - Frank |
SM58 |
Boom |
||
18 |
Vox - Dan |
SM58 |
Boom |
||
19 |
DDL Return L |
||||
20 |
DDL Return R | ||||
21 |
Reverb Return L |
||||
22 |
Reverb Return R | ||||
23 |
MP3 L |
||||
24 |
MP3 R |
1.Specified mics preferred. Equal or better-than subs OK.
2.DI boxes provided by band.
3.Delete channel 9 (GTR1 L) for mono PA systems. Channel 14 may be deleted depending on program.
4.FOH rack should have the following:
a)Six channels of gating for drum kit
b)Dedicated reverb for snare
c)Separate delay and reverb for all other channels as needed
d)Channel insert limiting for bass DI and vox.
e)One-third octave system eq
f)CD Player for intermission music
5. Four (4) monitor mixes requested, with 2 absolute minimum. Monitor system shall be three (3) slants across the front for vocalists, and one slant or monitor for drummer. Slants should be 2-way, and may be passively crossed-over.
a)Mix 1-3 consisting of Vox 1-4
b)Mix 4 consisting of Vox 1-4, kick, snare, GTR1, & GTR2.
For technical questions contact Ken Carver at (512) 917-9443.